Blood Car (2007)


  • Writers: Alex Orr, Adam Pinney
  • Director: Alex Orr
  • Starring: Mike Brune, Anna Chlumsky, Katie Rowlett
  • Medium: Shudder (Streaming)


A vegan kindergarten teacher, Archie (Brune), is trying to develop an environmentally friendly alternative fuel in a world where nobody drives cars anymore due to the cost. He has limited success with wheat grass. After an accident mixes his blood with the wheat grass, he realizes his new motor runs on blood. With a new fuel source discovered, the government watches him. Due to the type of fuel, Archie needs to continue to find ways to fill up his tank, which goes against his vegan sensibilities.


My Girl, Anna Chlumsky

It’s an interesting premise and starts out well enough, reminding me of Napoleon Dynamite. The reminder is because everyone’s performance is understated, and it almost sounds like the actors could fall asleep at any time. Does that make sense? Gas prices have risen to $36/gallon, which was more of a concern back when the movie was released than what it is right now. There is some humor like kids going to the car graveyard to have sex in the back of a car because no one drives them anymore or parks them in remote places.

The lead being a vegan is, of course, not a throwaway characteristic, as it leads to much of the humor in the movie, especially when Archie realizes that blood is his alternative fuel, and, in tears, he kills some animals before realizing it is specifically human blood that runs his engine.

After he shows up with his car to the organic stand (where he had been buying his wheat grass), which is run by My Girl Anna Chlumsky, who has a big crush on Archie, the hot girl at the Meat Stand across the way, played by Katie Rowlett (future wife of the co-writer and director), sees her chance at raising her status by being inside a car, so she trades sexual favors for the feeling of superiority, blatantly talked about in a speech she gives at the drive-in.

The vegan out shooting animals

I checked the time thinking it had to be close to over, but it was only 35 to 40 minutes in, as the movie runs out of steam pretty fast. He is driving and needs to pick up the meat girl. He runs out of fuel. He freaks. He kills someone. He picks up the girl. Repeat. By the time the government aspect really comes in, it’s a little too late to pick up the interest again. This was an instance where I think the low budget hurt a film and also the stretching into a feature length film. It was like a Saturday Night Live sketch turned into a movie that should’ve been kept as a sketch. Maybe turning this into a 30-minute short would’ve been perfect and would’ve kept the interest until the final credits rolled.

Film Rating: 5 Gallons of Wheat Grass out of 10 | If they could do the reverse of the norm and re-film this as a short, I think they would have a success.


Night of the Creeps (1986)


  • Writer:  Fred Dekker
  • Director: Fred Dekker
  • Starring: Jason Lively, Tom Atkins, Steve Marshall, Jill Whitlow
  • Medium: SHUDDER (Streaming)


Alien slugs land on Earth, turning the people they inhabit into zombified “Creeps.” Their human host kills a couple, and cop, Ray Cameron, stops the killing. The killer is frozen (can’t remember why OR if they ever said why he was frozen). Many years later, a couple “nerds” try joining a fraternity (Chris wants to join to impress a girl) and, in the midst of a fraternity prank, unfreeze the killer, unleashing the alien slugs. It’s up to an aged Ray Cameron, Chris, JC (Chris’ friend), and Cynthia (object of Chris’ desire) to save the day.

Best Friends: JC (Steve Marshall) and Chris (Jason Lively)


Well, I believe this was a rental back in the day, and my friend and I loved it. Can the goofy likings of a teenager hold over when an old fart re-watches it so many years later? Quite simply, the answer is yes. This wasn’t the first time I had seen the movie since my original watching as a teen. Whenever I can find this one, I will give it a watch.

This film, to me, embodies why 80s horror was so great. It’s a horror-comedy. The comedy isn’t making fun of horror films. It’s just a funny movie that also happens to be a horror film (like Shaun of the Dead). It builds characters that you actually like. It throws in a scene that touches the heart. It has everything you could ask for from this genre.

The story is simple. Aliens inhabit humans, and inhabited humans try to kill uninhabited humans. This movie isn’t like a “body snatches” type of movie where you don’t know who has been affected. Those that are affected look and act like zombies. The host is dead and gets killed. The only problem is that the slugs escape and look for their next body. There’s a touching conclusion to the events. Aside from the horror piece, you have the side-stories of the old cop, the “nerd” pining for the beautiful girl, and the strong friendship.

The actors do a wonderful job. Right. No Oscars given, but everyone performs like you’d expect and even elevates the characters. Tom Atkins is wonderful as the old cop. He is a bad ass and ends up teaming up with the kids after he is brought onto the case when the corpse from (I think it was the 50s or 60s) is unfrozen. He is pretty much an asshole, answers the phone with a pessimistic “Thrill me” greeting, but has a heart of gold. Jason Lively does an excellent job as the main “nerd,” who embraces the hero role that he is thrust into. Jill Whitlow is likable as the beautiful, popular girl who teams up with Chris. Steve Marshall gives possibly the best performance (or maybe just had the best character), as Chris’ best friend. He is on crutches because his legs cannot support him. He offers the most heart-warming scene by way of an audio cassette. He is the one that pushes his friend along and assists him to meet his goals, even if, deep down, he would rather not have his friend succeed.

The effects are dated. The make-up itself is done well, but the appliances when the human hosts are shot or split open are obvious effects pieces. When creating a horror-comedy, the effects not being on par with what WETA can do works well with the proceedings and does not take away from the film.

Thrill Me: Tom Atkins as Ray Cameron

Despite its goofy premise and comedy and lots of horror references (different character names are revealed to be Raimi, Landis, etc.), they are not afraid to put in a serious scene or build a little character. I don’t know. Seems like that balance is sorely missing when I watch films trying to fall into this vein nowadays. Maybe it’s always been a tough balance to achieve.

Film Rating: 8 Banshees out of 10 | If it’s on your streaming service, give it a watch. It’s well worth it.